A Sorta Fairy Tale (Fairy Tale Comics Review)

Fairy tales are part of our DNA. They tell us we can be brave; great evil can be defeated; and sometimes things work out in unexpected ways. They are the stories we tell – and retell – in every generation. From campfire storytelling to bards to Disney, fairy tales have shifted in response to time and circumstance, becoming the stories that need to be told - or retold. Oral storytelling is intricately linked with tradition of using images to tell stories, whether through cave drawings, tapestries, or picture books. And when you combine fairy tales with visual storytelling, you get magic. A new understanding of the tales emerges by playing with form and medium. Fairy Tale Comics is the result of the natural partnership between story and form. In this follow up to the widely successful Nursery Rhyme Comics, editor Chris Duffy delves deeper in the possibilities of retelling classic stories by putting them in the hands of talented and innovative artists. (You can see a full list of contributors here.) The incredible range of both stories and artists breathes new life in these stories of old. Ramona Fradon and Chris Duffy’s “The Prince and the Tortoise” plays homage to the Classic Illustrated-style that feels reminiscent of Prince Valiant and other epics. Brett Helquist’s “Rumpelstiltskin” is set in the traditional fairy tale world, with a distinct Brett Helquist style. I absolutely loved his portrayal of the dastardly villain Rumpelstiltskin. And this is his first comic ever! Bobby London’s “Sweet Porridge” is a madcap adventure full of pratfalls and subtle humor like the best Sunday cartoon. Raina Telgemeier’s version of "Rapunzel" puts a delightful new spin on the “damsel in distress” trope. Her Rapunzel is no shrinking violet, but a fierce and brave heroine, who (spoiler alert) saves herself. I loved Emily Carroll’s version of “The 12 Dancing Princesses,” one of my favorite childhood stories thanks to Shelly Duvall’s Fairy Tale Theatre. Carroll fleshes out the character of the young hero by showing an interaction with him and an old woman, who gifts him with his invisibility cloak for his kindness. Unlike the original story where a princess is given to him in marriage as a reward for saving them, in Carroll’s version, the youngest princess chooses him. The range of artists and stories guarantees that readers will find stories that they connect with, whether they are in the mood for a humorous, scary, or magical story. Fairy Tale Comics is truly kids’ comics at its best. 

When I read this collection, my mind spun with ways that it could be used in a classroom or a library. I’ve shared my list of ideas below for using Fairy Tale Comics. Feel free to share your ideas in the comments. I’d love to know how people are using this amazing collection in the wild.

Reader’s Theater

It was perfect timing when I received a copy of Fairy Tale Comics from Netgalley as I was preparing my unit about drama. I taught Oral Interpretation of Literature class this past spring at the college and sought out moments to use comics to teach visual storytelling. These comics were perfect for teaching about reader’s theater, which included setting, characterization, tone, pitch, and more. I gave my students scripts that I created from the text of the comics. I used "Sweet Porridge!" by Bobby London, "Rumpelstiltskin" by Brett Helquist, "Rapunzel" by Raina Telgemeier, "The 12 Dancing Princesses" by Emily Carroll.  I gave my students 15-20 minutes to prepare their story with some basic props, but how they preformed it was up to them. I then projected the stories on a screen beside the performers. I could see how the visual medium affected their dramatic interpretation – and the audience’s interaction with it. Drama itself is very visual so this seemed like a perfect pairing. Using these stories added dimension to their performances and engaged my students in new ways. Graphic novelists often use reader’s theater to share their work, so it’s wonderful when we can use it to celebrate them.

Get your Aarne-Thompson on!

Until I took a storytelling class at GSLIS with the beyond fabulous Kate McDowell, I had no idea what the Aarne-Thompson classification system was and now it illuminates every fairy tale reading experience. In short, it is an index that organizes folktales according to plot points and motifs. Actually, it’s now called the Aarne-Thompson-Uther classification system so it can continue to expand. The bottom line is that there are different types of tales – from Persecuted Heroine (type 501) to Animals in Exile (type 130) with many variations from around the world. Yes, this is an opportunity for a “Cinderella project” kind of unit, but you can ditch Ella for one of the tales in Fairy Tale Comics. Your students can research variations on the tale and have a chance to return to the world of fairy tale picture books, where some of the best retellings are found. They can compare them with the Fairy Tale Comics version and critically think about the ways stories are told and retold.

Retelling: Twisted, Fractured, or Swapped

Let your students or patrons retell a fairy tale. Switching perspectives (like in The True Story of the Three Little Pigs by Jon Scieszka, illustrated by Lane Smith) or changing the gender of a character (like Gigi D. G. did in "Little Red Riding Hood," replacing the male lumberjack for the female one) can help writers think about stories in new ways. Pair this activity with a lesson on the fundamentals of comics creation and design (gutter, panels, bubbles, etc.). They can storyboard the fairy tale and retell it using an app like Comic Life, comic creator from ReadWriteThink, or ToonDoo. (Excellent resources for teaching how to create comics include the classic Understanding Comics by Scott McCloud and 99 Ways to Tell a Story: Exercises in Style by Matt Madden, thanks to Carol Tilley's excellent comics class.) Make sure it’s clear that anyone can create comics and use his or her own style to tell a story. Many of these fairy tales are based on Grimm tales, which were already interpretations of tales from the oral tradition so we’re already in the habit of shifting and changing stories. Bring in stories by Hans Christian Anderson, Andrew Lang, and other more obscure authors and let your students try retelling them.  

Spoiler Alert 

Chris Duffy reported that the next comics collection is going to be Fable Comics. I can't wait to see how the artists take on Aesop, Kipling, or other authors, but in the meantime, this is a great opportunity for your students or patrons to try their hand at their own fable comics.

   

Reader’s Advisory

This collection is a natural fit for pairing with the multitudes of fantastic fairy tale picture books found in the 398.2 section of your local public library. This collection is perfect for young people and adults alike, each getting something different out of it. So here are some my favorite fairy tale readalikes for both groups.

For young people

The True Story of the Three Little Pigs by Jon Sciezka, illustrated by Lane Smith

The Stinky Cheese Man & Other Fairly Stupid Tales by Jon Sciezka, illustrated by Lane Smith

The Paper Bag Princess by Robert Munsch, illustrated by Michael Martchenko

Little Lit: Once Upon a Time, Little Lit: Strange Stories for Strange Kids, and Little Lit: It Was a Dark and Silly Night from Toon Books

Nursery Rhyme Comics

For older young people 

A Tale Dark and Grimm Series by Adam Gidwitz, illustrated by Hugh D’Andrade

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making Series by Catherynne M. Valente

Rapunzel’s Revenge by Shannon and Dean Hale, illustrated by Nathan Hale

For young adults and grownups

Fables by Bill Willingham

Ash by Malinda Lo

The Rose and the Beast by Francesca Lia Block

Chinese Cinderella by Adeline Yen Mah

Birdwing by Rafe Martin

Beastly by Alex Flinn

A Curse Dark as Gold by Elizabeth C. Bunce

East by Edith Pattou

Wildwood Dancing by Juliet Marillier

Princess at the Midnight Ball by Jessica Day George

Once Upon a Time television series

Second City’s Advice from a Cartoon Princess Series (for grownups)

Resources

Twice Upon a Time: A Guide to Fractured, Altered, and Retold Folk and Fairy Tales by
Catharine R. Bomhold and Terri E. Elder 

Happily Ever After: Fairy Tales, Children, and the Culture Industry by Jack Zipes

Enchanted Hunters: The Power of Stories in Childhood by Maria Tatar

Fairy Tale Review

Journal of Fairy Tale Studies

SurlaLune Fairy Tales

Fairy Tales @ Web English Teacher 

   

Folktexts: A Library of Folktales, Folklore, Fairy Tales, and Mythology

A Mighty Girl's Fairy Tales and Folktales

Dave Roman's Reader's Theater Tips

 

 FAIRY TALE COMICS BLOG TOUR

An incredible blog tour is going on now for Fairy Tale Comics until October 1. Check out the list below to follow along and discover more about this amazing book and the artists who contributed to it. (As the days pass, I'll do my best to update the links so they go directly to the posts by these very lucky bloggers.)

Thursday 9/12 featuring Brett Helquist Bluestocking Thinking 

Friday 9/13 featuring Bobby London Charlotte’s Library

Saturday 9/14 featuring editor Chris Duffy SLJ Good Comics for Kids

Sunday 9/15 featuring Graham Annable Stumptown Trade Review

Monday 9/16 featuring Gigi D.G. Literary Grand Rapids

Tuesday 9/17 featuring Karl Kerschl Fleen

Wednesday 9/18 featuring Luke Pearson Raincoast

Thursday 9/19 featuring Joseph Lambert Schulz Library Blog 

Friday 9/20 featuring David Mazzucchelli Comics Bulletin

Saturday 9/21 featuring Vanessa Davis Supernatural Snark

Sunday 9/22 featuring Gilbert Hernandez Things to Do in LA 

Monday 9/23 featuring Raina Telgemeier Stacked

Tuesday 9/24 Featuring Ramona Fradon CBR

Wednesday 9/25 featuring Luke Pearson Casual Optimist

Thursday 9/26 featuring Emily Carroll Comics Alliance

Friday 9/27 featuring Charise Mericle Harper SLJ Good Comics for Kids 

Saturday 9/28 featuring Jillian Tamaki Geek Mom

Sunday 9/29 featuring Jaime Hernandez MTVGeek

Monday 9/30 featuring Craig Thompson LA Times Hero Complex

Tuesday 10/1 featuring Gigi D.G. Sare-endipity

Fairy Tale Comics will be released from First Second Books on Tuesday, September 24th.

A Sorta Fairy Tale

And I’m so sad, Like a good book, I can’t put this day back, A sorta fairy tale with you
– Tori Amos







A girl sits on the window seat of her room at the topmost level of her remote tower, looking wistfully across the dead city below for some sign of life. Hopelessness fills her throat like thick honey as she waits for what seems like an eternity. Finally, she decides to take matters into her own hands and texts, R u coming 2nite? U no I <3 U, but I Gtg, R.

We are currently experiencing a renaissance of reconstructed fairy tales that allow girls to be the masters of their own destinies. In every generation, authors have taken upon themselves to modernize centuries-old tales to make them relevant for modern audiences, and we are lucky to be experiencing a flood of excellent literature. The malleability of fairy tale archetypes is proof that the characters are timeless and are as significant today as when they were part of oral storytelling. Whether Rapunzel has a cell phone or dangerously long hair, the truths generated by her story remain the same and connect to readers in a powerful way. Several fabulous writers have been able to master this feat.
You cannot have a discussion about post-modern faerie without Francesca Lia Block. Using luscious poetry and sensual imagery, each of her original novels transport the reader into surreal worlds that show the magic of possibility. She retells classic fairy tales in her book, The Rose and the Beast. Stories like Cinderella, Snow White, and Beauty and the Beast are given an LA makeover to deal with darker issues of drug-use, abuse, and sexual awakening. FLB is not for the faint of heart, but if you appreciate honest, lush writing and butt-kicking heroines, you will love The Rose and the Beast.

Juliet Marillier also stands out as writer able to create entire worlds with her pen (or laptop). She retells Grimm’s Six Swans in her SevenWaters Trilogy (which includes Daughter of the Forest, Son of the Shadows, and Child of the Prophecy. Heir of Sevenwaters is a stand-alone novel but includes characters from the trilogy.) She evokes the mood of 13th century Ireland by taking painstaking care to include accurate details about history, geography, and mythology. However, it is her wonderful characters that transform a fairy tale into a personal tale of loss, love, and hope. I constantly come back to this trilogy and every time I gain a new insight about human behavior when I read it. Marillier accomplishes the same extraordinary feat in her retelling of the twelve dancing princesses in Wildwood Dancing and its companion, Cybele’s Secret. (When you read it, pay attention to spot another fairy tale within the story.) In Wildwood Dancing, four sisters are transported every full moon from their remote castle in Transylvania to the Other Kingdom. Faced with impossible choices, each sister must confront her own dreams and desires as they quickly grow up. While Marillier describes intricate fantastic worlds, she puts great effort in being consistent within the worlds she creates, a major point of contention for those who dislike fantasy writing. Still, there is sufficient “meat” in all of her stories to satisfy even the staunchest realist; while the magical creatures may not be real, the human emotions are, and will touch you in a powerful way. (As an aside, Juliet Marillier is currently undergoing treatment for breast cancer and if you have positive comments to share, you can contact her at juliet@julietmarillier.com.

Upon a Time, a series of novels from Simon Pulse, have been capitalizing on this trend. By publishing fairly short, but high quality retellings of fairy tales, Simon Pulse has created a series of books that engage readers of all ages. Writers like Cameron Dokey, Suzanne Weyn, and Debbie Viguie have retold the best classic stories. My favorites so far have been Midnight Pearls by Debbie Viguie (a retelling of the Little Mermaid) and Beauty Sleep by Cameron Dokey (a retelling of Sleeping Beauty). The stories themselves are as familiar as Cinderella’s glass slipper, but it is the unfamiliar layers that breathe new life into the old tales. You will not be disappointed when you sink your teeth into these books, which can be devoured in one sitting.
If you read any of these books, I would love to hear your reactions and insights. Feel free to post your comments to this post or email me at etiberland@gmail.com.

QUESTION OF THE WEEK:

Which fairy tale would you like to see retold and who would you like to write it?
I will include my answer in the next blog.

I have included a longer list of excellent retellings below for further reading. I personally recommend each one of these books. Let me know if you have more books to add to the list.

A Curse Dark as Gold by Elizabeth C. Bunce (Rumpelstiltskin)
Beastly by Alex Flinn (Beauty and the Beast)
Rapunzel’s Revenge by Shannn Hale (Graphic novel of Rapunzel)
Enchantment by Orson Scott Card (Sleeping Beauty)
The Swan Kingdom by Zoe Marriot (The Seven Swans)
The Wild Swans by Peg Kerr (The Seven Swans)
Confessions of an Ugly Stepsister and Mirror Mirror by Gregory Maguire
Mira, Mirror by Mette Harrison (Snow White)
Black Pearls: A Faerie Strand by Louise Hawes (Assorted Stories)
Ella Enchanted by Gail Carson Levine (Cinderella)
Just Ella by Margaret Peterson Haddix (Cinderella)
The Goose Girl by Shannon Hale (The Goose Girl)
A Wolf at the Door and Other Retold Fairy Tales by Terri Windling

Once Upon a Tale Books
The Storyteller's Daughter by Cameron Dokey (The Arabian Nights)
Snow by Tracy Lynn (Snow White)
Sunlight and Shadow by Cameron Dokey (The Magic Flute)
The Night Dance by Suzanne Weyn (The Twelve Dancing Princesses)
Golden by Cameron Dokey (Rapunzel)
Belle by Cameron Dokey (Beauty and the Beast)

Just for fun . . .
The Stinky Cheese Man And Other Fairly Stupid Tales by Jon Scieszka and illustrated by Lane Smith.